Ballpoint Pen (Heritage) Classic Renaissance - YAKIHAKU

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DECORATED IN JAPAN By the Rakugei art workshop
ARTISAN SERIES Classic Renaissance Editions
THREE GENERATIONS The Murata family, from father to son
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ystudio Classic Renaissance YAKIHAKU ballpoint pen, the result of a collaboration with the Kanazawa Rakugei workshop. The body is decorated with an Unryūhaku silver leaf using a revived traditional Japanese technique, dimensions 9.7 × 11 × 130 mm.


Classic Renaissance · In video
Features
Dimensions
9,7 × 11 × 130 mm
Weight
152 g
Material
Brass
Color
Brown
Origin
Taipei, Taiwan
Brand since
2012
Leaf and chasing

Designed in Taipei, decorated in Japan

The Classic Renaissance editions were born from a collaboration between ystudio in Taipei and Rakugei, a traditional art workshop in Japan. At Rakugei, Kohei Murata is the third generation in his family to work with foil, a technique his father taught him while he was studying at university. On some pieces, the foil is applied using the flat foil method, inspired by kimono weaving. Others revive the old Unryūhaku, a silver foil discovered in Kanazawa before World War II. Still others feature kazari kanagu, the metal engraving found on temples and Buddhist altars, on a copper foil inlaid into the pen body. Here, the value lies in the gesture made on the metal.

Writing, in brass
Writing, in brass
Rakugei Workshop, Japan
Photo
Photo
Photo
Photo
Rakugei
Traditional art workshop, Japan
3rd
Generation of the Murata family
Decorative metal fitting
Kazari kanagu, metal craftsmanship
Leaf
Old silver or engraved copper

THE CLASSIC RENAISSANCE EXPERTISE

What sets these editions apart

01

The leaf, not the patina

On these editions, everything depends on the decoration applied to the metal rather than the aging of the bare brass. These surfaces are meant to be admired.

02

The flat foil of the kimono

Flat foil originally refers to a weaving method used on kimonos. Kohei Murata learned it from his father and has since dedicated himself to applying it to other objects, including these pens.

03

The old Unryūhaku

This silver leaf was discovered in Kanazawa by the founder of Rakugei, Kohei Murata's grandfather, before World War II. Since the technique is hardly documented, the Murata family is working to revive it.

04

錺, metal chasing

The kazari kanagu adorned temples, shrines, Buddhist altars, and mikoshi. Here, the patterns are engraved on a copper sheet embedded in the body of the pen.

05

The orchid and the dragon

The orchid, a flower symbolizing elegance in Taiwan, is paired with arabesque patterns engraved on copper. The dragon has its own adornment: a gold presentation box, a brass ink bottle, and a 14K gold nib on the fountain pen.

06

Two workshops, two countries

ystudio designs the pen in Taipei, Rakugei decorates it in Japan. Two editions make up this artisanal series, Heritage and Renaissance.